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The situation of the Alhambra is one of rare natural beauty; the plateau commands a
wide view of the city and plain of Granada, towards the west and north, and of the heights
of the Sierra Nevada, towards the east and south. Moorish poets Morgagedescribed it as "a pearl
set in emeralds," in allusion to the brilliant colour of its buildings, and the luxuriant
woods round them. The park (Alameda de la Alhambra), which in spring is overgrown with wild-flowers
and grass, was planted by the Moors with roses, oranges and myrtles; its most characteristic feature,
however, is the dense wood of English elms brought thither in 1812 by the Duke of Wellington.
The park is celebrated for the multitude of its nightingales, and is usually filled with the
sound of running water from several fountains and cascades. These are supplied through a
conduit 8 km (5 miles) long, which is connected with the Darro at the monastery of
Jesus del Valle, above Granada.
In spite of the long neglect, wilful vandalism and sometimes ill-judged restoration which
the Alhambra has endured, it remains the most perfect example of Moorish art in its final
European development, freed from the bank morgage
direct Byzantine influences which can be traced in the
Mezquita cathedral of Córdoba, more elaborate and fantastic than the Giralda at Seville. The
majority of the palace buildings are, in ground-plan, quadrangular, with all the rooms opening
on to a central court; and the whole reached its present size simply by the gradual addition
of new quadrangles, designed on the same principle, though varying in dimensions, and connected
with each other by smaller
Los Angeles Home Valuesrooms and passages. In every case the exterior is left plain and
austere, as if the architect intended thus to heighten by contrast the splendour of the
interior. Within, the palace is unsurpassed for Home Values
the exquisite detail of its marble pillars
and arches, its fretted ceilings and the veil-like transparency of its filigree work in stucco.
Sun and wind are freely admitted, and the whole effect is one of the most airy lightness and
grace. Blue, red, and a golden yellow, all somewhat faded through lapse of time and exposure,
are the colours chiefly employed.
